Can scene headers be bold?
Yes, but they don’t have to be. With feature screenplays, it is up to the writer’s discretion. But be consistent with your choice. In TV, it depends on how the specific show chooses to do it. For...
View ArticleHow do you format a montage in a screenplay?
There is no hard and fast rule for how to format montages in screenplays. As with all formatting, the goal is to express what’s happening on screen as clearly and simply as possible, without breaking...
View ArticleWhat is a slug?
A slug or slugline (or “slug line”) is an uppercase line of text with a blank line above and below it. While the term slugline can be used interchangeably with scene heading, it more often refers to an...
View ArticleWhat does it mean when a writer uses ALL CAPS?
Generally, text in a screenplay’s actions or stage directions will be in ALL CAPS when something deserves special attention. Some common all caps examples: * The first time a character is introduced,...
View ArticleHow do you label a scene that takes place both inside and outside?
If a scene transitions from INT. to EXT. or visa-versa, you should have a new scene heading: EXT. BACKYARD – NIGHT Masks pulled down, they insert the pick into the lock. They turn the torque wrench and...
View ArticleWhat constitutes a scene?
A scene is a unit of story that takes place at a specific location and time. If one of these changes, you have a new scene. This is two scenes: INT. PETE’S ROOM – NIGHT He turns off the lamp and...
View ArticleWhat is the best way to handle flashbacks or dream sequences in a screenplay?
If you want the viewer (and therefore the reader) to know that a scene is or is part of a flashback or dream sequence, add the tag in brackets after the header. INT. TOM’S BEDROOM – DAY [FLASHBACK] If...
View ArticleAre scenes that take place in cars INT. or EXT.?
Car scenes often use camera placements that are both INT. and EXT., so [INT./EXT.](https://screenwriting.io/how-do-you-label-a-scene-that-takes-place-both-inside-and-outside/) is usually appropriate...
View ArticleHow do screenwriters use index cards?
Many screenwriters find index cards (aka notecards, note cards, or flash cards) valuable in both the outlining and pitching processes. They are a great way for visualizing story, and they are...
View ArticleCan I use “CUT TO:” when moving between scenes? Do I have to?
“CUT TO:” can be a useful transition when you need to be extra-clear we’re moving to a new place and/or time. However, with the presence of scene headers, it is by no means necessary, and in modern...
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